We had the opportunity to shoot out a beautiful Steinway D with a MIDI retrofit and Keyscape side by side, and on a few recent sessions we didn’t mic the piano, we used the MIDI output to trigger Keyscape instead: it’s that good. The sound of the piano alone is worth the price of the software, but every keyboard in the collection really does sound spectacular. The combination of up to 32 different velocity layers, round-robin triggering, and highly detailed behavior modeling of mechanical artifacts makes the experience of playing these instruments as close as it gets to the real thing. Sound: Spectrasonics has a well-earned reputation for releasing impeccably crafted software instruments, but even with high expectations, the level of accuracy and detail in this collection blew us away.
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